Vaatwassers

Mand 49 glazen Ø 63 mm, h165, Polyprop.

211,00
SKU: DB249
mm (B x D x H) : 500 x 500 x 210

Mand 49 glazen Ø 63 mm, h210, Polyp.

241,00
SKU: DB349
mm (B x D x H) : 500 x 500 x 250

Mand 5 glazen Ø 90 mm, h165, Polyprop.

185,00
SKU: DB225
mm (B x D x H) : 500 x 500 x 210

Mand 9 pizzaborden Ø 380 mm – polypropyleen

110,00
SKU: DCPP-9
mm (B x D x H) : 500 x 500 x 130

Mand dienbladen 530 mm in polypropyleen

113,00
SKU: DCPV
mm (B x D x H) : 500 x 500 x 110

Mand thermische dienbladen in polypropyleen

224,00
SKU: DCTH
mm (B x D x H) : 500 x 500 x 200

Mand voor glazen Ø 110 mm, 500x500mm RILSAN

121,00
SKU: DB/114-RZ
mm (B x D x H) : 500 x 500 x 170

Mand voor glazen Ø 80 mm, 500x500mm RILSAN

138,00
SKU: DB/85-RZ
mm (B x D x H) : 500 x 500 x 170

Schuine geplaatste scheiding voor koffietassen, Rilsan

56,00
SKU: DIB-50
mm (B x D x H) : 465 x 465 x 40

Schuine x glazen, mand 500×500 – polypropyleen

28,00
SKU: SVR-50
mm (B x D x H) : 80 x 465 x 200

Universele korf – polypropyleen

69,00
SKU: DCB-N
mm (B x D x H) : 500 x 500 x 170

Universele korf – polypropyleen x WR-LV50…C

46,00
SKU: DCB-WR
mm (B x D x H) : 500 x 500 x 100

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Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.

A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.